Bushwick, Brooklyn

HDC will help the Bushwick Historic Preservation Association advance their proposed list of landmark designations and preservation priorities, including the Northeast Bushwick Historic District.

Crow Hill, Brooklyn 

The Crown Heights North Association (CHNA) is dedicated to the preservation of the historic buildings of the Crown Heights North community in Brooklyn. Its focus is the revitalization, economic advancement, housing stabilization, and cultural enhancement of the area’s residents. The group is particularly concerned with new construction taking place on Franklin Avenue. Working with HDC, CHNA plans to educate residents on the landmarking process, as well as highlighting buildings within the proposed Phase 4 of the Crown Heights North Historic District, including St. Marks Avenue, Dean, Bergen and Pacific Streets and the enclaves of St. Francis and St. Charles Places, between Bedford and Franklin Avenues.

Little Caribbean, Brooklyn

Based in the Flatbush neighborhood of Brooklyn, I AM CARIBBEING is dedicated to showcasing Caribbean culture, particularly along the corridors of Flatbush, Church, Nostrand, and Utica Avenues, aka “Little Caribbean.” I AM CARIBBEING is led by Kennya Cummings and Shelley Worrell, two community activists dedicated to highlighting the most culturally iconic places of the area. I AM CARIBBEING is a leading force in this thriving community, where West Indians live, work, and play. HDC will work with I AM CARIBBEING to promote their work commemorating the history of the Caribbean diaspora in New York City.


41 Eastern Parkway
Shampan & Shampan

This 12-story apartment building may be the stateliest apartment building on Eastern Parkway. Though it is sheathed from top to bottom in beige brick, with touches of terra-cotta trim, it sports an unusually emphatic wood and metal canopy over a triple-arched entrance, with three double-doored doorways, in an extravagant surround of vermiculated limestone and elaborate terra- cotta moldings. A quartet of splendid lanterns completes the beautiful composition, which for sheer luxuriousness may have no match in Brooklyn.

The brothers Joseph and Louis Sampan formed their firm in Brooklyn in 1907. Their credits include the nearby Colony House (225 Sterling Place, 1937), the Rulian at 295 St. John’s Place (site 7), and 14-34 Butler Place (site 11), and the exceptional Temple Beth El (15th Ave., Borough Park, 1920-23), one of the grandest synagogues in New York City. In 1930, rents ranged from $1,200 to $5,600 a year. That’s equivalent to $1,500 to $7,000 a month today.


Githens & Keally

In 1908, the Brooklyn-born, École des Beaux-Arts-trained architect Raymond Francis Almirall was commissioned to design a central library in an elaborately classical style to complement the Brooklyn Museum to its east and the Soldiers’ and Sailors’ Memorial Arch to its west. Alas, in 1913, following excavation of the foundation and the beginnings of construction, the project was halted for lack of funds. Work did not resume until 1937, at which time Alfred Morton Githens and Francis Keally, making use of Almirall’s footprint, gave us a monumental library that may be termed either Art Moderne or stripped classical. Sheathed in Indiana limestone, its sweeping concave façade relates beautifully to the plaza it faces. The entrance is adorned with gilded reliefs by Carl Paul Jennewein, and a metal screen by Thomas Hudson Jones, bearing charming images drawn from literature. Inside, the wood-walled catalogue room, recalling the work of the Swedish architect Erik Gunnar Asplund, is one of the finest monumental interiors in the city, if not the country. The Brooklyn Public Library is a NYC Individual Landmark and listed on the State and National Register of Historic Places.


17 Eastern Parkway
Arnold W. Brunner Associates

The Union Temple House was an eight-story building to be constructed next to a synagogue that was never built. The design was a classical- style structure that would have complemented Raymond Almirall’s Brooklyn Public Library and the Soldiers’ and Sailors’ Memorial Arch to bring classical grandeur to this end of Eastern Parkway. The project was never executed, and the land remained vacant until 2008, when Richard Meier designed and built 1 Grand Army Plaza.


John Hemenway Duncan

The bronze quadriga, The Triumphal Progress of Columbia, by Brooklyn-born Frederick W. MacMonnies, was installed in 1898, followed in 1901 by MacMonnies’s The Army: Genius of Patriotism Urging American Soldiers on to Victory. The spandrel sculpture is by Philip Martiny, and the inner walls of the arch are graced by bronze reliefs bearing equestrian portraits of Abraham Lincoln (the only known equestrian depiction of the sixteenth president) and of Ulysses S. Grant, by Thomas Eakins and William R. O’Donovan. Architectural historian Henry Hope Reed said this is the “finest triumphal arch of modern times, second only to the Arc de Triomphe in Paris,” and one of America’s greatest works of art. The Soldiers and Sailors Memorial Arch is a NYC Individual Landmark and listed on the State and National Register of Historic Places.


Egerton Swartwout, architect, Eugene Savage, sculptor

This wonderful fountain–one of too few elaborate fountains in New York City–is located in the secluded oval, thickly framed by trees, directly to the north of the arch. It is a riot of extravagant, grotesque figuration and mythological and allegorical allusion. Bronze figures of a man and a woman representing Wisdom and Felicity form the centerpiece, though a fantastically surly Neptune steals the show. The Bailey Fountain is listed on the State and National Register of Historic Places.


Shampan & Shampan

This row of four-story apartment buildings features ground floors faced in light stone yielding to light-hued brick above. There is well-executed classical ornamentation, Juliet balconies with their original iron railings, and, best of all, the original cornices.


36-50 Plaza Street East
Sugarman & Berger

These 12-story apartment buildings are in the classic New York style of their era, with limestone-fronted ground floors yielding to modestly ornamented brick shafts rising to strong cornices. As is appropriate on the oval of Plaza Street, the buildings have subtly concave façades.