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Lakeman-Courtelyou-Taylor House

2286 Richmond Road 
ca. 1683

This Dutch Colonial style farmhouse is divided into two distinctive wings, believed to have been built at different periods. The oldest section is a two-story wing with a gambrel roof, attached to a newer one-story wing with a gable roof. Both are constructed with irregular fieldstone and wood above the first story, and feature the characteristic footprint, height, rooflines, and small window openings of the style.
The house was originally built by Abraham Lakeman in the late-17th century, on property he inherited from his father. It remained as his family home until 1714, when it was sold. In 1751, the house and farm were purchased by Aaron Cortilieu (Cortelyou), one of the original members of the Moravian Church at New Dorp and a descendant of the Huguenots who emigrated in 1652. He left the property to his daughter Elizabeth, who was married to Richard Seamons. They sold the house in 1794 to Joseph Taylor, remaining in their family for many years. It was sold a few more times during the 19th and 20th century, maintaining its use as a private residence. It underwent extensive restoration work in 2001, which also removed modern additions. In 2015, the house was part of LPC’s Backlog initiative, a plan to address the properties that had been calendared prior to 2010 but had not been acted upon. After series of hearings and reviews, 30 properties were prioritized. The Lakeman-Courtelyou- Taylor House was included on this list and became a NYC Landmark in 2016. The following year, however, this designation was overturned by the City Council.

New Dorp Moravian Church, Parish House and Cemetery

2205 Richmond Road 
1844 Church 
1878 Parsonage 
1914 Parish House 

Established in 1748, the New Dorp Moravian Church is the second oldest church in Staten Island. Moravians are among the earliest Protestant denominations, arriving in New York during the 1730s and 1740s. In 1763, they purchased a plot of land for the construction of a small church, which was consecrated at the end of the year. A parsonage was built sometime later, with records showing that it was expanded around 1820, with a Sunday School established in 1829. The congregation’s sustained
growth prompted the construction of a new church in 1844, funded by members from different parts of the world, including a $1,000 contribution from Cornelius Vanderbilt (equivalent to $40K today). The Greek Revival structure features a porch with columns typical of the style, and a bell tower. It underwent extensive repairs in 1892, and again in 1955. At this time, the tower was replaced by a steeple, the auditorium was enlarged, the basement was modernized, and new offices and a chapel were also constructed. A new parsonage was built in 1878 by William H. Vanderbilt, son of Cornelius. A new parish house was built in 1914, again with a substantial donation from the Vanderbilt family. Adjacent to the church is the 113-acre cemetery, which holds the remains of early settlers and noted community members. Among them is the Vanderbilt family, whose Mausoleum was designed by Richard Morris Hunt. The land was originally used as a free public burial ground until 1819, after which the Church began charging fees to non- members. It would later undergo several expansions and improvements, becoming an architectural and landscape staple.

McCall Demonstration House

1929 Richmond Road 
1924, Ernest Flagg 
New York City Individual Landmark 

In 1923, McCall’s Magazine announced the development of a series where a group of noted architects would design small houses based on functionality, affordability as well as beauty. The plans for each would be made available to readers for a fee. Eight proposals were published between 1924-25. House sizes ranged from four to seven rooms, and construction costs from $4,000 to $13,500. Flagg’s design was at the low end of the scale in both categories. The house was built on a main road, as he wanted it to be easy to find if people wanted to observe the building process, or when it was completed. His goal was to prove his theory that good design could be achieved in smaller buildings at a fraction of the cost. Flagg chronicled the entire process in succeeding articles, including adjustments to the original plans and new construction methods. Although isolated from other buildings from the Estate, the design maintained many of his signature elements, like a retaining wall which forms part of several structures. The McCall Demonstration House brought national attention to Flagg’s work, which had already found an audience through his 1922 book Small Houses. It was designated as a NYC Landmark in 1987. Photo by Frank J. Johns, 1967.

Wallcot

285 Flagg Place 
1918-21, Ernest Flagg 
New York City Individual Landmarks 

Known also as House-on-the-Wall, this roadside stone cottage is complementary to Flagg’s Bowcott, located on a similar location at the northeastern edge of the estate. Its main façade is comprised of a retaining wall built along the embankment, which incorporates setbacks from the building line on the lower sections to create a wider view of it from the road. Unlike Bowcott, Wallcot’s walls don’t replicate the road’s curvature, maintaining a straight line. The structure does follow the terrain’s slope upward, with a garage built on higher ground, which was later connected to the main section of the house. This gives the cottage the same appearance of being nestled into the terrain and its landscape. The lower section houses the living room, dining room, two large bedrooms and, originally, two smaller bedrooms for servants. The chauffeur’s apartment was located at its northwestern end, with a projecting gabled portico highlighting the garage portion of the building. The main entrance is marked by a gabled hood-roof, supported by large ornamental brackets. Underneath, a flight of steps leads up through an open stone-walled round-arched vestibule. It was designated as a NYC Landmark in 1987.

Water Tower

16 Flagg Court 
ca. 1900, Ernest Flagg 
New York City Individual Landmark 

Located at the northwest edge of the estate, this large fieldstone water tower remains as one of its most distinctive outbuildings. It was originally taller, and had a conical roof with a windmill on top and a water wheel. Some brackets are still visible on the highest section. The roof was originally supported by posts located on the interior of the structure, which also held a narrow walkway. The top section has a series of round-arched windows, and is crowned by an indented brick parapet. This last modification was done during the 1950s. A secondary tower was built also around 1900 and used as a pump house. It was located on the center axis, approximately 160 feet northwest of the entry court gate. It was included in the 1983 boundaries expansion of the 1967 NYC Landmark designation.

Stable

79 Flagg Court 
ca. 1900, Ernest Flagg 
New York City Individual Landmarks 

Originally a two-story structure, the stable is the largest outbuilding on the Flagg Estate. Located on the northern edge of the property, it faces the swimming pool and aligns with the central axis that shapes the group. It had entrances at both ends, which were framed by one-story buildings that marked driveways for secondary roads that led to north gateways. They have since been removed, as well as the continuation of Coventry Road, which paralleled the rear of Flagg’s property and connected Todt Hill and West Entry Roads. In 1947, an attic story was added by St. Charles Seminary and the three original dormers were removed from the steeply-pitched gable roof. The roof lantern was maintained, and is flanked by two chimneys. It was included in the 1983 boundaries expansion of the 1967 NYC Landmark designation.

 

Palm House

63 Flagg Court
ca. 1908, Ernest Flagg
New York City Individual Landmark

Located 100-feet northwest of the Gardener’s Cottage, the Palm House was part of an area occupied by greenhouses which ran along the perimeter wall. Some of them were connected to it through a pipe system, which distributed the heat generated from large chimneys located at each end of the structure. It was originally a low one-story structure of fieldstone covered by a gable roof. The center section of the southwest slope was filled by a large skylight. The property was severely altered in 1987, when a two-story structure was added on the southwest side, thus changing the façade expression. It was included in the 1983 boundaries expansion of the 1967 NYC Landmark designation.

Gardener’s Cottage

45 Flagg Court
ca. 1908, Ernest Flagg
New York City Individual Landmark

Built around the same time as the addition to the Gatehouse, this double-cottage was originally a long rectangular building of whitewashed fieldstone. Its northeast façade was incorporated into the perimeter wall, which continues south and sets the boundaries of a backyard. It was Flagg’s first exploration of a typology he described as “cloister house”, designed around a central square or courtyard. He would later add another structure to the rear, also attached to the perimeter wall, which created an L-shaped house plan. Over
the years, further alterations to the house have obscured the initial layout. The northwest section has two-stories and gabled windows which break the eaves. The southwest section has one-story and a basement, and also features a pair of gabled windows on the attic. Entrances are marked by pent roofs carried on brackets. It was included in the 1983 boundaries expansion of the 1967 NYC Landmark designation. Photo by Jean Prahbu.

Stone Court

209 Flagg Pl

1898-1908 renovations, Ernest Flagg
New York City Individual Landmark
Located at the highest section of the property, Stone Court was Ernest Flagg’s country residence, which he purchased in 1898. The imposing 32-room mansion was built of fieldstone, like many of the surrounding outbuildings and cottages. It features several variations of the colonial tradition, such as an enlarged scale, massive chimneys, and a circular balustraded observation deck atop a traditional gambrel roof. The façade on Flagg Place is framed by an axially- arranged formal garden on an elevated terrace, and the main entrance is marked by a two-level veranda supported by Doric columns on the first story and by posts on the second. Flank wings to the main building were added later on, and a large swimming pool and fountain on the central court completed the complex, which was completed around 1917. After Flagg’s death in 1947, the estate became the St. Charles Seminary. Ten years later, the southwest pavilion and logia were demolished and replaced by the current two-story administration building. Further modifications have been done over the to accommodate its current use. It was designated as a NYC Landmark in 1967. Plans to develop a portion of the property have been pursued by the owners since 2006, with a proposal presented in 2018 which added 19 single-family homes, a new roadway and offered to restore parts of the mansion. Although those plans did not succeed, the estate continues to be up for sale.

Gatehouse

181 Flagg Pl
1898-1908 renovations, Ernest Flagg
New York City Individual Landmark

This two-story single- family house was constructed of fieldstone at the same time as Stone Court. The oldest section is a one-story, L-shaped, gabled-roof structure, which was incorporated as part of the retaining wall. An extension was added around 1908, consisting of a one-and-one-half story structure with gambrel-roof on the northwest side. Through the years, additions and modifications have been made to the house, including glass panels to the attic, but it maintains its cohesiveness and signature elements, such as the chimneys topped by curved ventilator caps. It was designated as a NYC Landmark in 1967.

BOWCOTT

95 W Entry Rd
1916-17, Ernest Flagg
New York City Individual Landmark 

Flagg envisioned his estate populated by many small stone houses, evoking the ancient Anglo-French or Norman villages of England and France. Bowcott was the first of the experimental stone cottages he constructed, receiving its name for the way it bends with the road. Viewed from the principal façade, the house appears to nestle into the terrain, while the rear elevation creates a clear public-private boundary. This is representative of Flagg’s idea of buildings that belong to the site, with structure and topography aligned. Bowcott was the first domestic architecture project where Flagg used mosaic rubble. Instead of worked stone, he used quoins made of concrete-blocks with vertical reinforcing rods filled with concrete. The stone was sourced from a quarry he had established on the grounds. It has been observed that this technique pre-dates the general usage of concrete block by some twenty years. The main floor was used as the living and dining rooms, while the attic had several bedrooms and a sitting room. Additional bedroom space was provided by a large one- story room at the west corner. The basement was possibly used as a kitchen. Dormers, chimneys and gables were used to provide a picturesque effect, a detail Flagg used often. It was designated as a NYC Landmark in 1987.

Ernest Flagg Estate

Ernest Flagg was a prolific and honored architect, mostly known for the US Naval Academy in Annapolis and the Singer Tower -Manhattan’s first notable skyscraper-. He was one of Staten Island’s largest landowners, developing a series of houses which combined the knowledge he acquired during his years of study in Paris with his desire to improve construction methods in a cost-effective manner. His goal was to make single- family houses affordable for a broader segment of the country’s population. This estate was his residence and laboratory for over four decades, resulting in a unique group of structures that reflect his distinctive interpretation of architectural styles and design principles. Part of the property was designated as a NYC Landmark in 1967, with boundaries extended in 1983 to include other structures. At this time, a developer working with architect Robert A. M. Stern made modifications to some of the existing buildings, added 10 new residences, and made the pool into a formal garden. In 1987, three more buildings from the Estate were designated as NYC Individual Landmarks. With the exception of Stone Court, all of the buildings are currently used as private residences.

FORMER SHROEDER RESIDENCE

5 W Entry Rd
ca. 1900

This two-story cottage was initially part of the Flagg Estate, and was transferred to the Richmond Country Country Club in the early 1900s. It displays many of Flagg’s signature design elements, such as gambrel roofs, gabled windows and curved top chimneys. It also maintains more direct a stylistic relationship with Stone Court, implying that it could be one of the earliest structures to have been built. During the 1920s and 30s, it was the residence of New York Curb Exchange broker Gilliat Schroeder. Born in New York, he graduated from Columbia University in 1902 and was a member of the Board of Governors of the Exchange. Schroeder moved to Todt Hill with his first wife Helen Stevens, a relative of business tycoon John Jacob Astor, their two children and his mother-in-law. After the passing of his wife in 1927, he married Louisa Rapallo Donald the following year, and relocated to Manhattan by the end of the 1930s. He retired in 1932, and passed away in 1942.

Richmond Country Club

135 Flagg Pl
ca. 1840

The Richmond County Country Club was organized in 1888, as a social club which offered fox hunting and other sports. The original clubhouse occupied a two-story Victorian mansion, located on the grounds of the former Vanderbilt estate, near Ocean Terrace and Little Clove Road. In 1897, the Club moved to its present location in Dongan Hills (known at the time as Garretson) to accommodate the rising interest in golf. George Cromwell, Club member and Staten Island’s first borough president, assisted with the purchase of a 35-acre estate that included a large home. The house was presumably built by Agatha Mayer and purchased in 1878 by Junius Alexander, who had made his fortune on Wall Street and through the railroad business. He lived there with his family until his death in 1893. At the time, one side of the house had extensive grass lawns, which became a nine-hole golf course for the Club before it was sold in 1908 for residential development. A new course layout was designed by Robert White in 1916. He was the first President of the Professional Golfers’ Association of America, and a founding member of the American Society of Golf Course Architects.

Gillett-Tyler House

103 Circle Road 
ca. 1846 
New York City Individual Landmark

This two-story house was originally built in Enfield, Massachusetts, for Daniel B. Gillett. He was in the manufacturing and lumber business, and was part of one of the town’s oldest families. The building was moved to Staten Island in 1931 by builder Charles A. Wade for businessman Walter A. Tyler. Wade had capitalized on the interest in colonial and early-19th century American history at the time, as well as the availability of authentic New England houses from the Swift River Valley, which was being razed for the construction of the Quabbin Reservoir. The Greek Revival frame structure has a slate-shingled, low-pitched, hipped roof, with a subordinate, one-and-a-half story wing, both featuring six- over-six, double-hung windows. The classically-inspired ornamentation includes a cornice line with wide divided bands of trim, two-story, vernacular Doric pilasters, and fluted lonic columns and sidelights flanking the door at the recessed entry porch. It was sold in the 1950s to Horace P. Moulton, vice president and general counsel of AT&T, and remains in use as a private residence. It was designated as a NYC Landmark in 2007.

FORMER CASTELLANO RESIDENCE

167-177 Benedict Rd
1980

Constantino Paul Castellano was born to an Italian immigrant family in Brooklyn in 1915. He had a poultry distribution business, and would later venture into construction concrete. The success of these businesses was attributed to his ties to the mob, as he had become a member of the Mangano family in the 1940s, quickly rising through the ranks. In 1957, the organization came under the leadership of his brother-in- law, Carlo Gambino. At the height of his power and wealth, Castellano built this lavish 17-room mansion. It was designed to resemble the White House, and featured an Olympic-size swimming pool and an English garden. The mansion became his operations center, with high-ranking members of the Mangano family often visiting for business and social events. This prompted the FBI to put the property under surveillance, installing secret listening devices. Castellano was ultimately indicted for federal racketeering in 1984, among other charges. He was killed in an unsanctioned hit in 1985, and buried in the Moravian Cemetery. His death is believed to be the last time the head of a crime family was killed in New York City.

Former Thomas Garrett Jr. Residence

41 East Loop Road 
ca. 1925 

Born in Wilmington, Delaware, Thomas Garrett Jr. moved with his family to New York in 1889. He was the great-grandson of Thomas Garrett, an abolitionist and leader in the Underground Railroad movement, before the American Civil War. Garrett graduated from Harvard Law School in 1899, and served as Assistant Corporation Counsel of NY for four years before joining the law firm of Davis, Polk, Wardwell, Gardiner & Reed, where he specialized in banking cases. He retired in 1938, and two years later was the Republican candidate for the House of Representatives. He purchased this plot from George Cromwell and built this house around 1925, at a total cost of $50,000 (almost $1M today), wich became the most expensive residence on East Loop Road at the time. After the passing of his first wife, Dorothea Kobi, he married Lucille Stirn in 1934. The family continued living at the property until 1982.

Houses at East Loop Road

26-90 E Loop Road
Ca. 1910 

This block bounded by East Loop Road and East Entry Road is among the earliest to be developed for residential use in the area. It originally was the location of three great mansions, of which only one remains today. 50 East Entry Road (2a) was once the sight of a two-story frame structure with Colonial Revival and classical features. It was the family home of Johannes D. Hage, a successful Danish merchant who had emigrated to the United States in 1855. Hage paid the equivalent of $600k today for the mansion, where he and his wife Clara Merrick raised two children and remained for over 30 years. In 1975, the lot was subdivided and two new houses were built. The mansion was demolished in 2004. A remarkable two-and-a-half- story frame house with a grand porch framing its first floor once stood at 46 East Loop Road (2b). It was the residence of May Richmond Walker and her husband Prof. Arthur L. Walker until 1951. Mrs. Walker, who came from a politically prominent family nationally, originally settled in Todt Hill in 1898 with her first husband, with whom she had two children. After becoming a widow, she married Mr. Walker in 1929, who was a professor of metallurgy at Columbia University School of Engineering. The lot was subdivided in 2012, and the house was demolished in 2016. The only remaining house of this group was the family home of merchant James G. Clark Jr., who’s father and grandfather had been prominent physicians on Staten Island. The striking two-story frame structure is located at 26 East Loop Road (2c), and maintains many of its original Neo-Classical features, most notably a two-story porch with a pointed pediment. After Clark’s death in 1930, the family sold the mansion to John D. Leggett, a manufacturer from New Brighton. Leggett lived there with his family until his passing in 1946. The lot was subdivided in 1986, and two new houses were constructed.

Billiou Stillwell Perine House

1476 Richmond Rd
1679; additions 1700, 1750, 1790, 1830
New York City Individual Landmark / National Register of Historic Places – Property 

This picturesque one-and-one-half-story farmhouse is an interesting example of a late-17th century rough-cut fieldstone structure, combined with later stone and frame additions built around 1750, 1790 and 1830, respectively. The oldest wing has a steep medieval style roof, with a massive Dutch fireplace and a chimney head supported on two wooden posts. It is located to the rear portion of the farmhouse, while later additions were built closer to the road. The two stone structures are built of undressed fieldstone, known as “Dutch construction”. The original house had eight rooms on the first floor and seven on the second floor, with a panelled fireplace. It was built by Captain Thomas Stillwell, a prominent Staten Island citizen, who was granted the property in 1677. He passed it on to his son-in-law Nicholas Britton, who kept it in his family until 1915, when it was sold to the Antiquarian Society, now the Staten Island Historical Society. The organization furnished the house and opened it to the public.

Stapleton Waterfront/Lighthouse District, Staten Island

HDC will help the Preservation League of Staten and The National Lighthouse Museum advocate for the preservation and full adaptive reactivation of the former Third District US Lighthouse Depot site, a historic waterfront complex of numerous buildings including the lamp shops, barracks, oil vaults, and administration buildings which are at risk of demolition by neglect. 

26 East Loop Road

Ca. 1910

This block bounded by East Loop Road and East Entry Road is among the earliest to be developed for residential use in the area. It originally was the location of three great mansions, of which only one remains today.

The only remaining house of this group was the family home of merchant James
G. Clark Jr., who’s father and grandfather had been prominent physicians on Staten
Island. The striking two-story frame structure is located at 26 East Loop Road (2c), and
maintains many of its original Neo-Classical features, most notably a two-story porch
with a pointed pediment. After Clark’s death in 1930, the family sold the mansion to John
D. Leggett, a manufacturer from New Brighton. Leggett lived there with his family until
his passing in 1946. The lot was subdivided in 1986, and two new houses were constructed.

Photo: Courtesy of the NYC Municipal Archive

46 East Loop Road

Ca. 1910

This block bounded by East Loop Road and East Entry Road is among the earliest to be developed for residential use in the area. It originally was the location of three great mansions, of which only one remains today.

A remarkable two-and-a-half-story frame house with a grand porch framing its first floor once stood at 46 East Loop Road. It was the residence of May Richmond Walker and her husband Prof. Arthur L. Walker until 1951. Mrs. Walker, who came from a politically prominent family nationally, originally settled in Todt Hill in 1898 with her first husband, with whom she had two children. After becoming a widow, she married Mr. Walker in 1929, who was a professor of metallurgy at Columbia University School of Engineering. The lot was subdivided in 2012, and the house was demolished in 2016.

Photo: Courtesy of the NYC Municipal Archive

50 East Entry Road

Ca. 1910

This block bounded by East Loop Road and East Entry Road is among the earliest to be developed for residential use in the area. It originally was the location of three great mansions, of which only one remains today.

50 East Entry Road was once the site of a two-story frame structure with Colonial Revival and classical features. It was the family home of Johannes D. Hage, a successful Danish merchant who had emigrated to the United States in 1855. Hage paid the equivalent of $600k today for the mansion, where he and his wife Clara Merrick raised two children and remained for over 30 years. In 1975, the lot was subdivided and two new houses were built. The mansion was demolished in 2004.

Photo: Courtesy of the NYC Municipal Archive

Bayley Seton Campus, Staten Island

Dating back to 1831, the Bayley Seton Campus was Staten Island’s first public health facility, originally known as Seaman’s Retreat. The original Seaman’s Retreat building is a designated NYC landmark that is seriously threatened by demolition by neglect. The site also contains the first U.S. Public Health Service Hospital, a Mayan Revival style building built in 1931, and smaller contributing doctors residences. Working with John P. Kilcullen of the Preservation League of Staten Island, HDC will help advocate for landmarking, stabilization, and preservation of the hospital complex. 

BAYMEN’S COTTAGES / REV. ISAAC COLEMAN & REBECCA GRAY COLEMAN HOUSE / ROSSVILLE AME ZION CHURCH / ROSSVILLE AME ZION CHURCH CEMETERY

AFRICAN AMERICAN

565 & 569 Bloomingdale Road
ca. 1887-98

1482 Woodrow Road, Staten Island
ca. 1850s

584 Bloomingdale Road, Staten Island
1897, Andrew Abrams

Crabtree Avenue, Staten Island
est. 1852

In the 1830s, Staten Island’s south shore, known as Sandy Ground, became home to a thriving community of free black oyster traders who moved from Maryland after that state passed a series of laws limiting free blacks’ freedoms. The community prospered from Staten Island’s rich oyster beds, and boosted the local economy, but the rise of industrial pollution and overfishing led to the closure of the beds in 1916 and Sandy Ground’s heyday came to an end. Calamitous fires in 1930 and 1963 destroyed many of its buildings, but there are several architectural remnants, including four Individual Landmarks: the Baymen’s Cottages, housing constructed for oyster traders and their families; the Rossville AME Zion Church, the Coleman-Gray House, home to the Rossville AME Zion Church’s sixth pastor; and the Rossville AME Zion Church Cemetery. The church and cemetery are perhaps the most important survivors, as they provide spiritual connections to this community that was defined by its people more than its geography. Founded in 1850, the church was the center of Sandy Ground’s spiritual and cultural life, and served as a stop on the Underground Railroad. While the original church no longer stands, its adjacent cemetery contains graves of some of Sandy Ground’s original residents, and the new church, constructed in 1897, remains active today. Sandy Ground’s history is displayed, interpreted and celebrated by the Sandy Ground Historical Museum, located just around the corner from the church on Woodrow Road. Photos by Peter Greenberg.

AUDRE LORDE RESIDENCE

WOMEN

207 St. Paul’s Avenue, Staten Island
1898
Otto P. Loeffler

From 1972 to 1987, acclaimed African- American lesbian writer and activist Audre Lorde (1934-1992) lived in this neo-Classical house with her two children, Elizabeth and Jonathan, and her partner, Frances Clayton. Lorde accomplished a great deal while living here, including the publication of numerous influential books, poems, articles and essays that dealt with the issues of civil rights, feminism and lesbianism; held positions as professor of English at John Jay College and as the Thomas Hunter Chair of Literature at Hunter College; spoke at the 1979 National March on Washington for Lesbian and Gay Rights; co-founded Kitchen-Table: Women of Color Press and was bestowed with many honors, including the Borough of Manhattan President’s Award for Literary Excellence in 1987. From 1991 until her death from liver cancer the following year, Lorde was the New York State Poet Laureate. Photo by Sarah Moses, NYC Landmarks Preservation Commission. Audre Lorde’s house is a NYC Individual Landmark located in the St. Paul’s Avenue-Stapleton Heights Historic District.

Todt Hill-Dongan Hills, Staten Island

Todt Hill-Dongan Hills is an area filled with stately historic properties such as the Ernest Flagg Estate. This site consists of impressive fieldstone walls and archways, a gatehouse, and mansion that once belonged to one of New York City’s most prolific architects. Though already designated an Individual Landmark, the Iron Hills Civic Association is working to ensure that the currently for-sale estate falls in good hands and is safe from inappropriate development. This group is also concerned with the rapidly vanishing historic homes that sit atop the hills and is aiming to document and survey the historic grandeur of the neighborhood before it is too late.

Cultural Landmarks, Citywide

New York City is known for many things: Art Deco skyscrapers, picturesque parks, the world’s greatest theater district, venerable museums and educational institutions, not to mention bagels and pizza! But above all of these, New York is most important as home to some of the world’s most fascinating and significant people and as the site of impactful and significant happenings throughout history. The city’s cultural influence is, perhaps, its greatest contribution to the world, and its built environment stands as a grand scavenger hunt of clues waiting to be uncovered. Lucky for us, the city’s Landmarks Law, passed in 1965, provides the legal framework for protecting the physical reminders of the city’s cultural wealth. In fact, one of the stated purposes of the Landmarks Law is to “safeguard the city’s historic, aesthetic and cultural heritage.”

In the first 50 years that landmarks were designated by the City, much emphasis was placed on the historic and aesthetic. In recent years, though, more consideration has been made for the importance of sites associated with people or historical events, rather than just for their architectural or historical value. In 2015, the NYC Landmarks Preservation Commission (LPC) designated the Stonewall Inn as an Individual Landmark solely for its association with the Stonewall Uprising of 1969. In 2018, the Commission designated the Central Harlem—West 130th-132nd Streets Historic District, describing it as “not only representative of Central Harlem’s residential architecture, but the rich social, cultural, and political life of its African American population in the 20th century.” Also, in recent years, Greenwich Village’s Caffe Cino and Julius’ Bar were listed on the National Register of Historic Places as significant and influential sites connected to the Lesbian Gay Bisexual Transgender (LGBTQ) community, The New York Times profiled a historian giving tours of Muslim sites of significance in Harlem, and the City is commemorating some of our most storied and accomplished female citizens with the installation of statues in all five boroughs. Indeed, grassroots preservation activism around the city is also swelling around sites of cultural significance: Tin Pan Alley and Little Syria in Manhattan, Walt Whitman’s house in Brooklyn, Arthur Avenue in The Bronx and a recently-rediscovered African burial ground in Queens, to name a few.

In response to this movement of interest in cultural landmarks, the Historic Districts Council undertook an initiative to highlight such places as one of its Six to Celebrate in 2018. The culmination of that effort was a conference in October 2018 entitled “Beyond Bricks and Mortar: Rethinking Sites of Cultural History.” The conference convened preservationists, historians, artists, planners, place-makers and more to work together to clarify what cultural significance is and how it can work, how to document and create compelling narratives around cultural sites, and how to identify the specific challenges of cultural sites from a preservationist perspective.

This brochure provides just a sample of some of the city’s cultural landmarks, organized thematically and representing all five boroughs. The list includes some sites that are legally protected — in some cases by more than one government body — and some that are unfortunately in danger of being lost. Preserving culturally significant sites that may not possess overtly aesthetic value often requires a particularly active and engaged form of advocacy to achieve protection from the wrecking ball. But, as long as there are interesting people making their mark on New York City and crucial events taking place here, that effort will never be in vain, since those stories are the lifeblood of this vibrant place.

Harrison Street, Staten Island

This single-block street in the north shore neighborhood of Stapleton encapsulates Staten Island’s 19th century residential character, projecting a strong sense of place. It features a rare grouping of intact wood frame and masonry houses, many boasting whimsical architectural features. At this time, there are just three historic districts on the whole island.

To learn more about Harrison Street click here

Historic Public Libraries, New York City

The New York Public Library (NYPL) was formed in 1895 with the consolidation of three private corporations: the Astor Library (founded by John Jacob Astor in 1849), the Lenox Library (founded by James Lenox in 1870) and The Tilden Trust (a fund established in 1886 by Samuel J. Tilden). The NYFCL also joined this consolidation in 1901 in order to benefit from Carnegie’s gift of $5.2 million for 67 library branches to be built between 1901 and 1929 (56 are still standing). Carnegie’s only stipulation was that the city acquire the sites and establish building maintenance plans. To design the buildings, the NYPL organized a committee of architects: Charles F. McKim, Walter Cook and John M. Carrère. In order to stylistically link the branches and save money, the committee decided on a uniform scale, interior layout, character and materials palette for the buildings.

To read more about New York City’s Historic Public Libraries click here

Historic Staten Island Cemeteries, Staten Island

A relative lack of development pressure allowed Staten Island’s small burial grounds to remain. From the 17th century well into the 19th century, family farms occupied much of Staten Island, especially in the south. Within the confines of these farms, “Homestead Graves” or family burial grounds were established. These were some of the first community cemeteries on Staten Island, and many of today’s cemeteries are still named after the families whose homestead burial grounds were sold for public use. Many of the 13 accessible and five inaccessible cemeteries covered in this brochure became abandoned, vandalized or used as dumping grounds in the 20th century.

To learn more about the Historic Staten Island Cemeteries click here

Landmarks Under Consideration, New York City

In November 2014, the New York City Landmarks Preservation Commission (LPC) announced a plan to clear 95 properties that had been on its calendar for five years or more, but not yet designated as landmarks. The wholesale removal of these properties without considering each one’s merits would have represented a severe blow to the properties and to the city’s landmarks process in general, sending a message that would jeopardize any future effort to designate them.

The Historic Districts Council acted strongly in opposition to this action, and advocated for a more considered, fair and transparent approach. As part of this effort, HDC worked with Manhattan Borough President Gale Brewer and a coalition of other preservation organizations to submit an alternative plan for the LPC’s consideration. The plan eventually formed the basis for the LPC’s initiative, entitled “Backlog95,” calling for a series of public discussions to evaluate the properties in geographical groupings.

To learn more about the Landmarks Under Consideration click here

5 inaccessible cemeteries: Simonson Family plot, Colony Meadow, Journay Cemetery, “Forgotten Acre”, Old Clove Baptist Cemetery

Simonson Family plot, established about 1800 (663 Jewett Avenue, Westerleigh)|

The Simonson family was one of the oldest families on Staten Island. This small homestead burial ground is today located within St. John’s Lutheran Cemetery.

Colony Meadow, former New York City Farm Colony, established 1829 (Walcott Avenue between Fields and Washington Avenues, Willowbrook) – NYC Individual Landmark|

The Richmond County Poor Farm was established in 1829 to improve social and health care services to the poor and otherwise dependent, who exchanged labor for room and board. When Staten Island became a borough of New York City in 1898, the City took over the property and renamed it the New York City Farm Colony. In 1915, the Farm Colony merged with Seaview Hospital across Brielle Avenue. After the United States government passed the Social Security Act in 1935, the numbers of residents in poorhouses like this one steadily declined. The Farm Colony finally closed its doors in 1975. Some of the property was handed over to the New York City Department of Parks & Recreation in 1982, and the remaining 70 acres, along with the Seaview Hospital campus, were designated a historic district by the LPC in 1985. Over the years, the Farm Colony has been neglected, its buildings crumbling and vandalized.

Located at the northwest corner of the Farm Colony is the Potter’s Field, which was in use by the Farm Colony until as late as the 1970s. No complete cemetery burial logs survive, but FACSI is currently in the process of establishing a burial list using funerary records. Most Farm Colony residents were buried in group interments, as there was little money for individual burials. It is believed that there are areas of the site where amputated limbs from patients at Seaview Hospital were buried in mass graves, as well. In 2014, a plan was unveiled to repurpose and develop the Farm Colony as an age-restricted retirement community, incorporating some of the historic buildings, which will be restored. FACSI was engaged in conversations about the redevelopment plans, at which time the Potter’s Field was renamed “Colony Meadow.” The site is quite large, but only one gravestone is extant. The cemetery landscape will be restored, thus respecting its occupants and the history of the Farm Colony. A proposed future entrance to Colony Meadow will be on Walcott Avenue.
Journay Cemetery, established circa 1800 (inside Bloomingdale Park at Carlton Boulevard and Halpin Avenue, Woodrow)|

This small family homestead cemetery is located within the wood of Bloomingdale Park. Roughly 30 people were buried here, but only a small number of downed headstones have been located.
“Forgotten Acre,” former U.S. Public Health Service Hospital, established 1895-1930 (inside Ocean View Cemetery, Oakwood)|

“Forgotten Acre” is the final resting place of approximately 1,000 Merchant Marines World War I veterans. These men are believed to have died en route to or from service in Europe while in quarantine at the United States Public Health Service Hospital in Clifton (now the Bayley Seton Hospital). In 2011, the Ocean View Cemetery restored the site, righting grave markers and clearing stray branches and weeds. On Veteran’s Day of that year, flags were placed at each grave to honor those buried here about a century ago. FACSI runs controlled visits of the site periodically, but it is not accessible to the public.
Old Clove Baptist Cemetery, established 1802 (corner of Richmond Road and Clove Road, Concord)|

Established as a burial ground of the Clove Baptist Church (formed in 1809 and abandoned in the 1840s), this site is quite small at roughly 100’ x 50’ in total size. There are approximately 50 burials. FACSI installed a sign to mark the cemetery’s location at the southwest corner of Richmond Road and Clove Road, but the site is overgrown and the grave markers are not visible from the intersection.

Blazing Star Cemetery, aka Sleight Family Graveyard

Established 1740;
Arthur Kill Road by Rossville Avenue, Rossville;
NYC Individual Landmark|

The Blazing Star Cemetery, also known as the Sleight Family Graveyard or Rossville Burial Ground, was one of the first homestead graveyards in Staten Island. The earliest grave markers, many of which are made of brownstone, date to around 1750. Members of prominent early Staten Island families are buried here, including that of Peter Winant (sometimes spelled Pieterse Wynant), who was born in Brooklyn in 1663 and died in Staten Island in 1758. His father, Peter Winant Sr., was one of a group of men who made the first permanent European settlement on Staten Island in 1661. Today, the cemetery has been restored and is maintained by FACSI. The cemetery’s peaceful location, adjacent to the Arthur Kill waterway, is described in the New York City Landmarks Preservation Commission’s (LPC) designation report for the property: “There is no railing enclosing the cemetery or any architecture to detract our attention from the silent mood that prevails over these grounds…Here amid the passing seasons a bit of history stands recorded.”

Adding to the site’s already evocative atmosphere is another graveyard of sorts within the waterway adjacent to and visible from the cemetery, the Arthur Kill “ship graveyard.” This was the former location of a mooring slip where the Blazing Star Ferry ran between Staten Island and New Jersey. Beginning in the 1930s, the Witte Marine Equipment Company operated a ship salvage and resale business on the Rossville shoreline, where an unknown number of historic ships was left to decompose. There are various theories as to why so much equipment has not been dismantled or scrapped. Whether it is due to an overflow of ships coming in or whether the company’s owner, John J. Witte, intended to leave them as a historical record, today this tableau of marine ruins is much appreciated by artists, photographers and history buffs. The site is today run by the Donjon Marine Company (the successor to the Witte Marine Company), which discourages visitation for safety reasons, making the view from Blazing Star all the more special.

Sylvan Cemetery, Ridgway Cemetery

Established 1690, Glen Street and Victory Blvd, Travis;
Established circa, 1760 Victory Blvd and Glen Street inside Sylvan Cemetery, Travis|

Similar to Hillside Cemetery in its sloping, roadside location, Sylvan Cemetery is believed to have been a Native American burial ground. The site is significant as one of the oldest extant cemeteries on Staten Island, established by European settlers in the 17th century as the Cannon Family Burial Hill. It was the final resting place of some of Staten Island’s most prominent families, and it is also rumored that British soldiers from the Revolutionary War were buried here. In 1781, the cemetery was opened to the public. A century later, in the 1880s, the site was in severe decline, and by the 1930s, it had been entirely abandoned. A survey done in 1923 found 235 gravestones or markers representing just over 250 individuals still visible on the landscape. DCAS took the site in the 1950s and it has been owned by the Parks Department since 2003.

The Ridgway family, one of the oldest on Staten Island, had a large farm in Travis that included a family burial ground. One of the last descendants of the family was Matthew Bunker Ridgway (1895-1993), a United States Army General during World War II and the Korean War (during which he resurrected the United Nations war effort), and a decorated hero who was recognized with the Presidential Medal of Freedom in 1986. In the 1980s, a developer illegally built a large structure on the site of Ridgway Cemetery. FACSI notified the General, but by the time he was engaged in the issue, the burial ground had already been obliterated. In 2013, FACSI moved the remaining gravestones to nearby Sylvan Cemetery, where a plaque and enclosure commemorates them.

Merrell Cemetery

Established 1784 ;
Merrill Avenue and Richmond Avenue, Bulls Head|

Established as a homestead burial ground of the Merrell and other associated families, this cemetery is approximately one acre in size. The cemetery is located on Merrill Avenue, which, despite the different spellings, is named after the same family. The Merrell Cemetery Association holds the deed for the cemetery, but FACSI restored and continues to maintain the site.

Hillside Cemetery

Established 1828;
980 Richmond Avenue, Graniteville|

This two-acre, non-sectarian cemetery was the sister cemetery to Lake, as the two were both established by the congregation of Old Clove Baptist Church. The cemetery commands a lovely sloping site right along a major road, making it very visible and accessible. Over time, five different Baptist churches have managed and operated the cemetery. Currently, the Willowbrook Park Baptist Church keeps the deed on the property, while FACSI performs all necessary maintenance. In 2014, the church is working to raise the funds needed to fix the cemetery’s retaining wall. A large number of ship captains were buried at Hillside, and several large plots within the cemetery were purchased by the Italian and Polish Social clubs that operated for immigrant support. The old granite quarry that supplied much of the stone for Staten Island’s grave markers, and gives the Graniteville neighborhood its name, was located directly behind Hillside Cemetery.

Lake Cemetery, Silvie Cemetery

Established 1834 Forest Avenue between Willowbrook Road and Bayonne Bridge ;Expressway, Graniteville;
Established 1885 adjacent to 36 Willowbrook Road, Graniteville|

These two adjoining cemeteries, both non-sectarian, make up about three acres within a residential neighborhood. Lake, originally established by the Old Clove Baptist Church, was a largely working-class cemetery. It is the final resting place of Staten Island’s third Borough President, Calvin D. Van Name, as well as hundreds of veterans from the Civil War through World War II. Among these are several African American veterans, including members of the Buffalo Soldiers, who were the first African Americans to enter France during World War I. Another noted veteran is Emeline Earl, the only woman from Staten Island to serve in the Civil War. In 1885, the Silvie Funeral Home purchased a large track of property from Lake Cemetery and resold the graves to its clients, many of whom were deemed unworthy to be buried in Catholic cemeteries (non-baptized infants, unmarried women who died in childbirth and those who committed sins according to the church, for example). The practice of purchasing property from other cemeteries was outlawed in New York State in the 1950s, at which point Silvie would combine with Lake to become one cemetery. From 1979 until very recently, the site was abandoned and used as a homeless encampment and dumping ground for trucks to unload debris. It is currently owned by the Reconstituted Lake Cemetery Association, with FACSI in charge of maintenance. As part of this effort, FACSI replaced many stolen or lost grave markers and restored many existing ones. The site remains an active cemetery, with its most recent burial in 2003.

Staten Island Cemetery, Trinity Cemetery, Trinity Cemetery, Van Street Cemetery

established 1847;
established 1801;
established 1863;
established 1889 ;
(entrance adjacent to 1652 Richmond Terrace, West New Brighton)|

This seven-acre site is home to four cemeteries, all established in the 19th century. Currently, Staten Island, Fountain and Van Street Cemeteries are owned by the Staten Island Cemetery Association. Trinity Cemetery was abandoned in 1954 to the New York City Department of Citywide Administrative Services (DCAS) and taken over by the New York City Department of Parks & Recreation in 2003. FACSI, which maintains all four of the cemeteries, has marked them as Staten Island / Trinity Cemetery and Fountain / Van Street Cemetery. The entire site is believed to have originally been a Native American burial ground, but the first recorded burial was in Trinity Cemetery in 1802. This site has historical ties to the Revolutionary War. On the grounds of what would become Fountain Cemetery, a skirmish took place between the New Jersey Colonial Army and the British, who established a fort on the grounds of what would become Trinity Cemetery. The British Army docked their ships at a nearby ferry terminal.

Staten Island Cemetery was the first non-sectarian cemetery on the North Shore of Staten Island and was, therefore, named after its location rather than after a religious institution or family. The cemetery was established in 1847, when the state began to encourage the creation of small, non-sectarian cemeteries to accommodate the influx of immigrants of various faiths. Prior to 1847, the land was owned and farmed by Joseph Ryerrs, who was born into slavery on Staten Island. When he was freed in 1825, he purchased this property and established a family cemetery that would later become a plot in Staten Island Cemetery. Within the combined Staten Island and Fountain Cemeteries, there are hundreds of Civil War veterans and approximately three dozen War of 1812 veterans. The largest standing monument in Staten Island Cemetery is that of James Horner, a “Hawkins Zouave” soldier in the Civil War. A Zouave was a title for light regiments originating in France in 1831 and adopted in America during the Civil War. The Zouaves were characterized by their double-time march, the way they loaded their rifles (lying down, rather than standing), and their North African style uniform, which included baggy pants, short open-front jackets and sashes.Trinity Cemetery was associated with Trinity Chapel, constructed in 1800-02 as an adjunct to the Church of St. Andrew with the aid of Trinity Church in Manhattan. The chapel was destroyed by fire in 1952, but the cemetery had fallen into disrepair long before, around 1914, with only one subsequent burial in 1963. Members of some of Staten Island’s early families are buried here.

The other side of the site is occupied by Fountain and Van Street Cemeteries, both non-sectarian. Fountain Cemetery was established in 1863, the same year that its namesake, Henry Fountain, passed away. Fountain had been a Captain in the War of 1812 and owned the popular Fountain House Hotel, which abutted the land that became Fountain Cemetery. The hotel hosted illustrious guest speakers, such as abolitionist leader Frederick Douglass and opera star Jenny Lind. At the time, the surrounding neighborhood was prosperous. Waterfront and maritime industry flourished, and there was a public ferry dock across the street. The cemetery was instantly successful due to its proximity to Manhattan, whose prohibition of new burial sites drove many to purchase plots at Fountain, which featured large family plots to cater to wealthy clients. Some of these are surrounded by fences and identified by stone markers. After the Civil War, Fountain became a popular cemetery for veterans. In fact, the Grand Army of the Republic paraded here yearly from Manhattan. By the 1930s, it was mostly filled, but during the Great Depression, families stopped paying assessment charges. The cemetery was officially abandoned to the City in 1954. In 1981, a group of descendants reconstituted the old cemetery association, rejoining the property with the New York State Division of Cemeteries. In 2003, FACSI began restoring the cemetery, which is in remarkable condition. In addition to the hundreds of obelisks, monuments, grave stones and plot posts still standing, the cemetery has retained most of the original piping around the family plots, a feature largely removed from other cemeteries in the 1950s to allow easier access for maintenance. The Van Street Cemetery section of Fountain Cemetery was purchased for $1 in the 1880s, and is laid out with single rows of graves. At roughly one acre, the cemetery was full within 30 years.

New York Marine Hospital or “Quarantine” gravesites,

established 1799-1858 ;
two sites: Central Avenue and Hyatt Street, Tompkinsville; inside Silver Lake Golf Course, ;Silver Lake|

Long before Ellis Island (established in 1892) became a hub for immigrants seeking to settle in the United States, officials would inspect newcomers on-board their vessels in the harbor. Those who were determined to be ill were sent to Staten Island for treatment. The New York Marine Hospital, or “Quarantine,” was a 20-building complex just south of today’s St. George Terminal. The hospital sought to protect the city from immigrant-borne infectious diseases, such as yellow fever, typhus, small pox and cholera. The hospital, in operation from 1799 to 1858, could hold as many as 1,500 people at a time. Shanty towns cropped up on the north shore of Staten Island, housing healthy relatives awaiting the return of loved ones. Hospital patients who died were buried in several locations, two of which are known today to be at the intersection of Central Avenue and Hyatt Street in St. George (pictured on this page) and within the Silver Lake Golf Course, where a monument to the gravesite is located near the clubhouse (pictured on opposite page). These two sites do not have extant grave markers, and are not discernible as cemeteries. However, they are very significant both due to the tens of thousands of people buried in mass graves here, and the important link they provide to New York City’s history as a gateway for millions of immigrants from the 18th to the 20th centuries.

The hospital had been established by the state, the land taken by eminent domain, thus leading to much resentment by Staten Island residents. The hospital, considered a blight on this rural farming community, endangered those who lived here, with deadly outbreaks of Yellow Fever occurring periodically. These epidemics became more common in the 1840s and 1850s, when immigration increased due to huge numbers of Irish famine victims arriving in the city. It was at this time that locals began campaigning to destroy the hospital. On September 1, 1858, the local board of health resolved that the hospital should be destroyed, and that very night, locals torched the hospital to the ground. The act was spearheaded by John Thompson and Ray Tompkins, a prosperous landowner whose grandfather, Daniel, was Vice President of the United States under James Monroe (Tompkinsville was also named after him). It is believed that the hospital administrator, Dr. Richard Thompson, negotiated to spare the Female Hospital, where the 60 patients on the grounds were relocated during the fire. Authorities generally turned a blind eye. The following evening, the rest of the campus was destroyed by a second fire. There were no casualties, though the two leaders were put on trial. Judge Henry Metcalfe, who lived near the hospital and had a relative who was a victim of Yellow Fever, acquitted both men.

In 2003, the State of New York began an eight-year process of locating and reinterring the cemetery, exhuming a portion of one of the Marine Hospital gravesites when work began on a new courthouse complex in St. George. Once the cemetery was exhumed, the remains were housed at Moravian Cemetery until April 27, 2014, when FACSI and the American Irish Legislators Society of New York State conducted a memorial reinterment service for the permanent entombment of these immigrants, more than 150 years after their tragic deaths.

Tottenville Branch, NYPL, Staten Island

7448 Brighton Street;
Carrè
re & Hastings, 1904;
NYC IL|

In 1899, the Tottenville Library Association established the Tottenville Free Library, Staten Island’s first free public library with a dedicated space and professional staff. In 1903, the association merged with the NYPL and its collection was moved to the new Carnegie-funded branch – also Staten Island’s first – completed the following year. Tottenville, which had grown immensely over the 19th century due to thriving coastal industries, was the first community city-wide to submit an application for a Carnegie-funded branch when the program was announced in 1901. The resulting one-story, brick structure is Classical Revival in style, with a central, columned entrance portico capped by a triangular pediment, as well as a flared, hipped roof and arched windows. The building’s stucco and wood trim lends a rustic quality that differs from some other Carnegie branches, but was intended to relate to its bucolic context and the village-like character of Tottenville. The Tottenville Branch was designated a New York City Individual Landmark in 1995.

Stapleton Branch, NYPL, Staten Island

132 Canal Street;
Carrè
re & Hastings, 1907;
renovation: Andrew Berman,; 2010-13|

The Classical Revival design of the original Stapleton Branch is nearly identical to the Port Richmond Branch, which opened two years before. Like Port Richmond, it is also situated across from a public park. However, a 2013 rear addition introduced another phase to the building’s story and physical footprint, setting it apart from its brother in Port Richmond. The addition reoriented the library, decommissioning the original entrance on Canal Street in favor of a new entrance via the addition on Wright Street. The addition, which is not visible when viewing the 1907 building from the front, consists of wood structural posts with applied glazing, as well as a wood roof deck. The addition more than doubled the size of the branch.

Port Richmond Branch, NYPL, Staten Island

75 Bennett Street;
Carrè
re & Hastings,1904-05;
NYC IL|

The first libraries on Staten Island were found within institutions and public schools as early as the 1830s, as a result of the influence of New England settlers. Prior to the establishment of branch libraries on Staten Island, public reading rooms began to operate in the mid-19th century. With the Carnegie grant, the NYPL established four branches on Staten Island, enlisting the help of residents to determine the best locations for each. The sites were chosen based on the borough’s concentrations of population and geographic diversity. Port Richmond has been a major port and commercial center on Staten Island since the early 19th century, and this library, situated across from a public park, has been an important civic structure since its completion. Its Classical Revival style façades feature a prominent, projecting central entrance bay with a grand, columned portico. The Port Richmond branch was designated a New York City Individual Landmark in 1998.

Woodbrook (Jonathan Goodhue House), Staten Island

Address: 304 Prospect Avenue;
Constructed: 1841;
LPC Action:  Public Hearing 9/13/1966;
LPC Backlog Hearing: Removed from the calendar without prejudice|

Fact Sheet | Research File

HDC Testimony 

Jonathan Goodhue, a wealthy New York merchant, built this house as a country estate in 1841 and called it “Woodbrook.” In 1912, the property was donated to the Children’s Aid Society and the 42-acre site remains in operation under the Children’s Aid Society Goodhue Center.

To learn more about the Woodbrook (Jonathan Goodhue House) click here

 

Nicholas Muller House aka St. Peter’s Boys High School, Staten Island

Address: 200 Clinton Avenue;
Architect: unknown;
Constructed: 1857;
LPC Action:9/13/1966;
LPC Backlog Hearing: Removed from the calendar without prejudice|

Fact Sheet | Research File

HDC Testimony

This house was built circa 1857 for merchant and broker Adolph Rodewald. It is, however, most famous for having been sold in 1886 to Nicholas Muller, a powerful figure in Staten Island politics in the late 19th century. Muller began his political career with Tammany Hall in 1882, and went on to serve five terms in the United States Congress as a representative from New York. He also served as President of the Police Board, Quarantine Commissioner and Tax Commissioner. The house was later acquired by St. Peter’s Boys High School, which continues to operate there today. The Anglo-Italianate structure has a symmetrical front façade flanked by gabled end bays, which are capped by pediments with an oculus window in each. Other architectural features include arched window surrounds with keystones, ornamental brackets, a columned entry porch, and a small central dormer window. The structure should be protected for its significant age, style, and history.

Nicholas Killmeyer Store and Residence, Staten Island

Address: 4321 Arthur Kill Road;
Architect: unknown;
Constructed: 1873;
LPC Action: Public Hearing 10/1/1991;
LPC Backlog Hearing: Removed from the calendar without prejudice|

LPC- Fact Sheet | Research File

HDC Testimony 

This mansard-roofed store/residence served as the general store in Kreischerville, the 19th-century company town that is now present-day Charleston.

To learn more Nicholas Killmeyer Store and Residence click here

 

St. John’s P.E. Rectory, Staten Island

Address: 1331 Bay Street;
Architect: (likely) Arthur Gilman;
Constructed: 1881;
LPC Action: Public Hearing 9/13/1966; 10/11/1966;
LPC Backlog Hearing: Prioritized for designation;

Designated on June 28, 2016|

Fact Sheet | Research File

HDC Testimony

This charming rectory is believed to pre-date the adjacent St. John’s Church, an individual landmark that was completed in 1871. According to the designation report for the church, the rectory was designed by the same architect as the church, Arthur Gilman, and completed in 1862. The Victorian structure features a stone base and cedar shingles, with projecting bays and carved wood details. The building complements the church’s bucolic Gothic Revival façades, which include granite cladding and a picturesque carved wooden entrance porch. When the church was designated in 1974, the rectory was omitted due to the church leadership’s plans to make exterior changes to the building. In 2015, however, the rectory is in fine condition and should take its rightful place as a landmark alongside the church.

To learn more about St. John’s P.E. Rectory click here

5466 Arthur Kill Road, Staten Island

Address: 5466 Arthur Kill Road;
Architect: unknown;
Constructed: mid-19th century;
LPC Action: Public Hearing in 2007;
LPC Backlog Hearing: Removed from the calendar without prejudice;

LPC- Fact Sheet | Research File  |

HDC Testimony

The Reuben and Mary Wood House has retained its mid-19th century character, including its many historic details, such as window lintels and sills, shutters, door surround, lacey bargeboards and brick chimney. The house, with its symmetrically-planned center hall and side-gabled roof fronted by a cross gable, is an example of a once-common, now rare mid-19th century rural house, its details applied in an unusual mix of Greek Revival, Gothic and Italianate styles. The craftsmanship of the woodwork is remarkable, not least because of its survival. The house, while in need of care, has an imposing presence on its corner lot.

To learn more about 5466 Arthur Kill Road click here

 

6136 Amboy Road House, Staten Island

Address: 6136 Amboy Road House;
Architect: unknown;
Constructed: c. 1850-55;
LPC Action: Public Hearing in 2007;
LPC Backlog Hearing: Removed from the calendar without prejudice

LPC- Fact Sheet | Research File |

The Joseph H. and Rebecca Sprague house is an interesting example of a house combining vernacular architectural elements with later popular styles. Bell-cast eaves, which protect exterior walls from rainwater running off the roof, are a common detail in Staten Island architecture dating back to the late 17th century and incorporated into later styles. In this case, the eave features a detailed classical cornice supported by large columns creating a Greek Revival portico. The eaves are decorated with curvilinear, jigsawn bargeboards, a sign of the Gothic Revival just coming into fashion on Staten Island at the time the house was built. Throughout the 19th century the home’s occupants were oystermen reminding one of the importance of the oyster trade to the development of this area of Staten Island.

To learn more about 6136 Amboy Road House click here

 

122 Androvette Street House, Staten Island

Address: 122 Androvette Street;
Constructed: c. 1790;
LPC Action: Public Hearing 10/1/1991;
LPC Backlog Hearing: Removed from the calendar without prejudice

LPC- Fact Sheet | Research File ;

LPC Statement of Significance:|

While the identity of the original owner of the house at 122 Androvette Street and its earliest history have not been definitively determined, the building does appear to be the oldest surviving structure in Charleston (Staten Island). The 122 Androvette Street House may be the dwelling indicated on a 1797 map as belonging to landowner “P. Androvet” [sic]; it is shown to be one of only two houses located in the then sparsely populated area. The late Staten Island borough historian, Loring McMillen, undertook an extensive investigation of the framing and other interior features of the house, leading him to postulate a construction date of c. 1790. His investigations also indicated that the present rear of southern elevation was the original facade, a siting which oriented the house toward the inlet identified as “Toppers Creek” on the early map.

To learn more about 122 Androvette Street click here

 

St. Paul’s Methodist Episcopal Church, Staten Island

Address: 7558 Amboy Road;
Constructed: 1861;
LPC Action: Public Hearing 10/01/1991;
LPC Backlog Hearing: Removed from the calendar without prejudice;

St. Paul’s Methodist Episcopal Church was completed in 1862 for a new congregation formed in 1856 in the growing village of Tottenville. This location at the corner of Amboy Road and Swinnerton Street was more convenient than that provided by its parent church, the venerable Bethel Methodist Church, established in Richmond Valley soon after Bishop Francis Asbury’s preaching mission there in 1806.

When dedicated, St. Paul’s Methodist Episcopal Church was a building quite unlike the earlier Methodist churches on Staten Island because of its masonry construction and its relatively sophisticated design. Today the church remains a striking feature of Tottenville’s town center.

To learn more about the St. Paul’s Methodist Episcopal Church click here

Prince’s Bay Lighthouse & Keeper’s House, Staten Island

Address: Hylan Boulevard;
Architect: unknown;
Constructed: 1864;
LPC Action: LPC Public Hearing 9/13/1966;
LPC Backlog Hearing: Prioritized for designation;

Designated on June 28, 2016|

LPC- Fact Sheet | Research File

There has continuously been a lighthouse on this site since as early as 1826. For the past 150+ years, this lighthouse and keeper’s quarters have weathered the sea with grace, as the rusticated brownstone façades still read as crisp. Lighthouses are landmarks in every sense of the word: they withstand the test of time and harsh elements, and demarcate the relationship between town and sea. This lighthouse is now owned by New York State, and set within a public park known as the Mount Loretto Unique Area. The hike up to the lighthouse is a destination and a specific draw of the park, which commands beautiful views of Raritan Bay.

To learn more about the Prince’s Bay Lighthouse & Keeper’s House click here

Richmond County Country Club, Staten Island

Address: 135 Flagg Place;
LPC Action: Public Hearing 9/13/1966;
LPC Backlog Hearing: Removed from the calendar without prejudice

LPC-Fact Sheet | Research File

HDC Testimony

The Richmond County Country Club is one of the rare surviving antebellum mansions in Staten Island. Originally attributed to Agatha Mayer (or Meyer), the house dates to the 1840s or 1850s. Later, the residence was purchased by Junius Alexander, who, after several ventures in the South and Midwest, made a fortune on Wall Street and also had several railroad connections. Alexander named the house “Effingham” after his family origins in Virginia and lived with his family in this house from 1878 until his death in 1893. Shortly after his death, the Richmond County Country Club, formed in 1888, acquired the property and has used it continuously ever since. While the original 35 acres of the estate have been devoured by sprawl, the house survives as a noble testament to Staten Island’s early illustrious families.

To learn more about the Richmond County Country Club click here

St. Mary’s Church, Rectory & Parish Hall, Staten Island

Address: 347 Davis Avenue;
Constructed: 1905;
Architect: Frank Wills;
LPC Action: Public Hearing 9/13/1966; 9/9/1980;
LPC Backlog Hearing: Removed from the calendar without prejudice|

Fact Sheet | Research File

HDC Testimony

This complex of buildings, all built at separate times, is unified in style. The church building was built first, in 1853, at a time when there was architectural reform in the Episcopal Church. Designs were modified to reflect the English countryside, composed in Gothic forms. The architect of the church, Frank Wills, was considered the master of ecclesiastical architecture in this style. Together with his partner, Henry Dudley, the pair designed several churches across the country. This is the only church of its kind on Staten Island.

The complex of buildings forms a distinct sense of place on a grassy corner lot. The construction uses traditional methods such as buttresses and utilizes natural materials like wood and fieldstone, collectively lending a picturesque experience not found elsewhere in New York City.

To learn more about St. Mary’s Church, Rectory & Parish Hall click here

 

St. Mary’s R.C. Church & Rectory, Staten Island

Address: 1101 Bay Street
Constructed: 1857
Architect:
LPC Action: Public Hearing 9/13/1966
LPC Backlog Hearing: Removed from the calendar without prejudice

Fact Sheet | Research File

HDC Testimony

St. Mary’s sits prominently upon a hill, virtually intact since its construction in 1857, although its surroundings—suburban corporate infill encroaches upon it. It is the second oldest Roman Catholic Church on Staten Island. The church is an instant landmark in its red brick composition and tall central tower, its style elegantly rendered in a North Italian Romanesque style. Landmark status would preserve this 158 year old structure’s place on Bay Street in case this property is ever sold, as the continued subdivision of Staten Island and loss of its history unfortunately prevails.

To learn more about St. Mary’s R.C. Church & Rectory click here

William T. and Mary Marcellite Garner Mansion, Staten Island

Address: Castelton & Bard Avenues;
Architect: unknown;
Constructed:  1859-1960;
LPC Action: Two Public Hearings in 1966; Public Hearing 2010
LPC Backlog Hearing: Removed from the calendar without prejudice|

Fact Sheet | Research File

HDC Testimony

This Second Empire style, brownstone  mansion has had a number of uses in its lifetime.  One of the few freestanding pre-Civil War era mansions surviving in the city, it was built by Charles Taber, a prominent cotton broker and real estate developer, in 1859-60 and was purchased a decade later William T. Garner, owner of one of the largest textile mills in the nation. Legend has it that the Garner Mansion almost became the summer home of Ulysses S. Grant and his wife Julia. Although the president liked the house, when Mrs. Grant visited the grounds were swarming with mosquitoes and she refused to live there. In the 1880s it housed St. Austin’s Episcopal School for Boys and later St. Austin’s Military Academy.    In 1903 St. Vincent’s Hospital’s opened its first location on Staten Island in the building and soon after added a two-story Colonial Revival style wing to serve as a nurses training school.  The W. T. Garner House is now part of Richmond University Medical Center.

To learn more about the William T. and Mary Marcellite Garner Mansion click here

 

Vanderbilt Mausoleum, Staten Island

Address: Moravian Cemetery, 2205 Richmond Road;
Architect: Richard Morris Hunt;
Constructed: 1885-86;
LPC Action: 1980;
LPC Backlog Hearing: Prioritized for designation;

Designated on April 12, 2016|

Fact Sheet |Research File

HDC Testimony

Cornelius Vanderbilt and his son William Vanderbilt donated roughly 12 acres (which was later greatly expanded) for Moravian Cemetery, setting aside a private section for a grand family mausoleum. For its design, they commissioned Richard Morris Hunt, a noted architect and champion of the Beaux-Arts style in America. Hunt’s extant works are rare in New York City, but include the Fifth Avenue façade of the Metropolitan Museum of Art. The Romanesque Revival style stone mausoleum, abounding in round arches and intricate carvings, is capped by two small domes. The private lot is approached through a massive stone arch with an inset iron gate, referencing the arches of the mausoleum beyond. The surrounding landscape was designed by Frederick Law Olmsted, considered to be the father of landscape architecture in America, who often collaborated with Hunt. In fact, their collaboration on the mausoleum and its grounds would inspire the Vanderbilts to hire the pair to design the Biltmore Estate in Asheville, North Carolina, perhaps the most famous landmark associated with the Vanderbilt family.

To learn more about the Vanderbilt Mausoleum click here

Sailors Snug Harbor Historic District, Staten Island

Address: 1000 Richmond Terrace;
Architect: Minard Lafever and Richard P. Smyth; chapel designed by R. W. Gibson;
Constructed: c. 1830-80;
LPC Action: Calendared in 1984;
LPC Backlog Hearing: Removed from the calendar without prejudice|

LPC-Fact Sheet | Research File

HDC Testimony

Sailors’ Snug Harbor, a home for retired seamen, was founded in 1801 by Captain Robert Richard Randall and operated on Staten Island from 1833 to the 1960s, when it relocated to North Carolina. In 1965, several buildings and interiors were designated by the New York City Landmarks Preservation Commission, and in 1972, the complex was listed on the National Register of Historic Places. The listing describes the 40-acre campus as “…a rare surviving example of mid-19th-century urban planning, architecture, and landscaping, scarcely equaled in the nation.” In 1976, Snug Harbor reopened as the Snug Harbor Cultural Center, which is home to the Staten Island Museum, a botanical garden and a theater. In 1984, a historic district to encompass more than just individual buildings was calendared for a public hearing.

To learn more about the Sailors Snug Harbor Historic District click here

Lakeman-Courtelyou-Taylor House, Staten Island

Address: 2286 Richmond Road;
Architect: unknown;
Constructed: 1678;
LPC Action: Calendared in 1966;
LPC Backlog Hearing: Prioritized for designation

Designated – December 13, 2016
Designation overturned by City Council- March 28, 2017|

The Lakeman-Courtelyou-Taylor House is a stone Dutch Colonial style farmhouse that underwent extensive restorative work in 2001-02. It is likely that (up until its designation) is was the only 17th-century building on Staten Island to remain un-landmarked.

To learn more about the Lakeman-Courtelyou-Taylor House click here

 

George William Curtis House, Staten Island

Address: 234 Bard Avenue;
Architect: unknown;
Constructed: 1853;
LPC Action: Public Hearing in 1966;
LPC Backlog Hearing: Prioritized for designation|

Designated on June 28, 2016

LPC- Fact Sheet | Research File

HDC Testimony 

Beyond the architectural charms of this mid-19th century farmhouse, the Curtis House is noted for its relation to hot topics of the time period. George W. Curtis was the editor of the popular political magazine “Harper’s Weekly” as well as a writer, lecturer, reformist and supporter of Abraham Lincoln. It is said that fellow abolitionist and Republican Horace Greeley hid here in the house from mobs of angry pro-South Staten Islanders. Historic detailing including brackets under the eaves and eared windowsills as well as true divided-light windows have recently been restored.

To learn more about George William Curtis House click here

Fountain Family Graveyard, Staten Island

Address: corner of Richmond Road and Clove Road;
Architect: N/A;
Established: 1802;
LPC Action: Calendared in 1966;
LPC Backlog Hearing: Denied|

LPC- Fact Sheet | Research File

HDC Testimony 

Established as a burial ground of the Clove Baptist Church (formed in 1809 and abandoned in the 1840s), this site is quite small at roughly 100’ x 50’ in total size. There are approximately 50 burials. The Friends of Abandoned Cemeteries of Staten Island installed a sign to mark the cemetery’s location at the southwest corner of Richmond Road and Clove Road, but the site is overgrown and the grave markers are not visible from the intersection.

To learn more about the Fountain Family Graveyard click here

Dorothy Day Historic Site, Staten Island

Address 457 Poillon Avenue;
LPC Action: Calendared in 2001;
LPC Backlog Hearing: Denied|

Fact Sheet | Research File

HDC Testimony

Despite the cultural and religious significance of the cottage inhabited by journalist and social activist Dorothy Day at Spanish Camp, its demolition after an intense preservation battle in the late 1990s and early 2000s unfortunately means there is no longer a building to designate. While the Spanish Camp is a site with multiple layers of significance, the new construction in the area has obliterated the natural setting and modest cottages. This unhappy preservation saga should stand as a warning against making non-binding agreements with real estate developers in the attempt to protect buildings.

To learn more about the Dorothy Day Historic Site click here

 

Cunard Hall, Wagner College, Staten Island

Address: 631 Howard Avenue;
Architect: unknown;
Constructed: c. 1852;
LPC Action: 1966;
LPC Backlog Hearing: Removed from the calendar without prejudice|

Fact Sheet | Research File

HDC Testimony

With a mission to prepare future Lutheran ministers for admission to seminary, Wagner College was founded in 1883 in Rochester, NY. The college relocated to Grymes Hill on Staten Island in 1918, acquiring the 38-acre former country estate of 19th century shipping magnate Edward Cunard, the New York representative of the famous Cunard shipping line. The estate, which overlooked New York harbor, Manhattan and the ocean, included a grand mansion called “Westwood.” The mansion is a three-story, red brick Italianate villa with a multi-gabled roofline, overhanging bracketed eaves and arched windows.

To learn more Cunard Hall click here

Crocheron House, Staten Island

Address: Historic Richmond Town;
Architect: unknown;
Constructed: c. 1819;
LPC Action: Calendared in 1966;
LPC Backlog Hearing: Denied|

LPC- Fact Sheet | Research File

Staten Island native and Manhattan merchant Jacob Crocheron constructed this house at 84 Woodrow Road in Greenridge. In 1987, the Staten Island Historical Society purchased the house to prevent its demolition, and relocated it to its present location in Historic Richmond Town. The wood-frame, one-and-a-half-story farmhouse has a gambrel roof with dormers, tall brick chimneys on both side elevations, clapboard and cedar shingle cladding, and columned porches on both the front and back of the house.

To learn more about the Crocheron House click here

 

Brougham Cottage, Staten Island

Address: 4745 Amboy Road;
Architect: unknown;
Constructed: early 18th century;
LPC Action: Public Hearing in 2000;
LPC Backlog Hearing: Prioritized for designation  |

Designated – December 13, 2016  |

The Cottage is a living testament to the changing character of Staten Island. The most distinctive feature of its original one-story section, dating from the early part of the 18th century, is the substantial stone chimney that recalls the Island’s rural quality. Eventually, when development began in earnest, the house was used as an office to sell land for a housing development. Now located in a park, and managed by the Historic House Trust, it is deserving of landmark status for its long history, as well as its rustic charm.

To learn more about the Brougham Cottage click here

3833 Amboy Road, Staten Island

Address: 3833 Amboy Road;
Architect: unknown;
Constructed: 1843;
LPC Action: Public Hearing in 2007;
LPC Backlog Hearing: Removed from the calendar without prejudice;

LPC-Fact Sheet | Research File |

HDC Testimony

3833 Amboy Road is an increasingly rare reminder of Staten Island’s rural past. A smaller, earlier gable-roofed, clapboarded house was apparently expanded around 1840 to create an impressive farmhouse. Details were added at this time including a paneled door with sidelights, a dentilled cornice and end chimneys. Its 19th-century occupants, a farmer and later an oysterman, reflect the agricultural nature of Staten Island.

To learn more about 3833 Amboy Road the click here

 

92 Harrison Street, Staten Island

Address: 92 Harrison Street;
Architect: unknown;
Constructed: ca. 1840;
LPC Action: 1980;
LPC Backlog Hearing: Prioritized for designation;

Designated on June 28, 2016;

LPC- Fact Sheet | Research File|

HDC Testimony 

While Stapleton Heights boasted the mansions of Manhattan-based businessmen and officials of local breweries, Harrison Street, also located in Stapleton, was made up of the less grand, but no less dignified homes of the neighborhood’s merchants and professionals. Thanks to the efforts of dedicated homeowners, many of these “modest” homes now rival their neighbors up the hill.

The 92 Harrison Street House is an exceptionally fine and remarkably intact example of the vernacular Greek Revival style and representative of the first period of development as Harrison Street was transitioning into a village enclave.

Thought to be the oldest on the street, constructed around 1853-54 for Richard G. Smith, most likely as an investment property, the 2½ story clapboard house is sited on a large lot at the junction of Harrison and Quinn Streets making it a focal point for the immediate neighborhood. One of ten houses constructed on Harrison Street prior to 1860 as Stapleton was transitioning into a denser neighborhood, the 92 Harrison Street House is the only example of the temple form design on the street.

To learn more about 92 Harrison Street click here

 

St. Paul’s Avenue-Stapleton Heights Historic District

Located to the northwest of Harrison Street is the St. Paul’s Avenue – Stapleton Heights Historic District, which was designated by the New York City Landmarks Preservation Commission in 2004. This district encompasses several lovely churches and 92 freestanding houses, plus smaller ancillary structures, which were largely constructed for prominent local businessmen and politicians. Built as a more wealthy enclave than Harrison Street, the houses are more elaborate in their size, massing and architectural detail. The neighborhood has long been one of Staten Island’s most prestigious places to live. Running through the district is St. Paul’s Avenue, an impressive stretch of residences that links the historic villages of Tompkinsville and Stapleton.

Development in the area began in 1826, when Caleb T. Ward purchased 250 acres, including the entirety of the historic district. Ward laid out streets and building lots in 1829. The two earliest houses in the district are 172 and 204 St. Paul’s Avenue , which date to the mid-1830’s. The former was originally the rectory for the first St. Paul’s Church (demolished 1870) and the latter was a private home built by James Creighton. Both were designed in the Greek Revival style, which was very fashionable at that time.

On hillside sites along the west side of St. Paul’s Avenue, a number of houses were built in the 1850’s and 1860’s to take advantage of views of New York Harbor. One of these was 218 St. Paul’s Avenue, which had originally been built in the Greek Revival style, but was renovated around 1850 for Ward’s son Albert in the Picturesque style. Across the street are St. Paul’s Memorial Church and Rectory (map: marker 4), built in 1866- 70. The church and rectory were designed by acclaimed church architect Edward Tuckerman Potter in the High Victorian Gothic style, and are noted examples of the style within the five boroughs. In addition to being part of the historic district, they are both designated individual landmarks. Also constructed in the mid-19th was “Captain’s Row,” three Italianate villas located at 352, 356 and 364 St. Paul’s Avenue, which were built by harbor pilots Marshall B. White, Thomas Metcalf and John Martino.

In the 1870’s through 1890’s, houses were constructed in popular styles of the time: Second Empire, Stick Style, Queen Anne, Shingle Style and Colonial Revival. One of the most spectacular houses on St. Paul’s Avenue, number 387, was constructed in 1886-87. The Queen Anne mansion was designed by Hugo Kafka and commissioned by George Bechtel, a brewer in Stapleton, as a wedding gift for his daughter, Anna Bechtel Weiderer and son-in-law Leonard Weiderer, owner of a glass factory in Stapleton. The wood-frame house features an imposing base of massive stone boulders, above which is a complex massing of geometric forms clad in shingles of varying shapes. Many of its multi-pane windows contain colorful stained glass.

Roughly a third of the houses in the historic district were constructed between 1906 and 1930 after designs by several Staten Island architects. This short period of growth lends an architectural cohesion to the one- and two-family neo-Colonial and Arts and Crafts Style houses on St. Paul’s, Cebra and Marion Avenues. Stapleton architect Otto Loeffler designed 11 of these houses, including the 1909 Mediterranean Revival style remodel of 377 St. Paul’s Avenue, originally constructed in the 1870’s, and 400 St. Paul’s Avenue, designed in the Arts & Crafts Style in 1908-09. Another contribution to the neighborhood in the early 20th century was Trinity Lutheran Church, founded in 1856 as the German Evengelical Lutheran Church. The Gothic Revival church, located at the corner of St. Paul’s Avenue and Beach Street, was designed in 1913-14 by Upjohn & Conable (Hobart B. Upjohn was the grandson of famed ecclesiastical architect Richard Upjohn).

54, 50, AND 44 HARRISON STREET

James R. Robinson, ca. 1890;
ca. 1842;
Adrian R. and Peter Post, ca. 1858|

The Queen Anne/Shingle Style house at number 54 was built by carpenter-builder James R. Robinson, and has two stories plus a raised basement and attic. Each level is made of or faced with a different material, giving the house a rich polychromatic texture. A concrete base supports a red brick first story, which gives way to a painted clapboard second story. The pitched roof has a pitched dormer with an arched window, which caps a full-height projecting bay. The entrance porch features a sloping roof supported by intricate woodwork and columns. Number 50 was constructed for Jasper A. H. Britton, a gentleman farmer who purchased several other lots on the street. Britton’s son, Nathaniel Lord Britton, was the founder and first director of the New York Botanical Garden. Number 44 was the home of carpenter-builders Adrian and Peter Post. It features a wrap-around porch with Ionic columns and a rail fence, pitched gables with overhanging eaves and a double door.

64 HARRISON STREET

ca. 1846|

This Greek Revival house was built for Edward and Amelia Blake, owners of a general store in Clifton, a neighborhood just south of Stapleton. The most prominent feature of the house is its front porch, whose four fluted columns span the building’s two stories. They are capped with Corinthian capitals, upon which sits a triangular pediment. The porch once had a landing on the second floor, as well, and both the second floor and ground level landings had rail fences.

74 AND 70 HARRISON STREET

William R. Eddy, ca. 1874;
ca. 1868|

Number 74 was built by William R. Eddy, who lived here with his wife Mary until 1907. Later, the publisher of The Staten Islander, Michael Kane, lived here for about 20 years. The house features a steep mansard roof, dormers, a bracketed cornice, a fanciful Victorian entryway and a projecting bay along its three stories. Number 70 was constructed for Michael S. Tynan, a coal and wood dealer in Stapleton who also owned a local entertainment center called Tynan’s Hall and served as President of the Village of Edgewater in 1882-83. The house was designed in the French Second Empire Style and features a steep mansard roof, pitched dormers with decorative woodwork, a bracketed cornice and sloping window overhangs.

84 HARRISON STREET

ca. 1845|

This house was built for James R. Boardman, a local physician and director of the nearby Seamen’s Retreat. Mr. Boardman did not live here, but may have rented out the property. The house’s features, which are very intact, include a porch with an “X” pattern railing and a gable roof above the entry stair; three windows on the second story with a diamond medallion and gable roof above; and transom windows above the front door.

92 HARRISON STREET

ca. 1840|

The 92 Harrison Street House is an exceptionally fine and remarkably intact example of the vernacular Greek Revival style and representative of the first period of development as Harrison Street was transitioning into a village enclave.

Thought to be the oldest on the street, constructed around 1853-54 for Richard G. Smith, most likely as an investment property, the 2½ story clapboard house is sited on a large lot at the junction of Harrison and Quinn Streets making it a focal point for the immediate neighborhood. One of ten houses constructed on Harrison Street prior to 1860 as Stapleton was transitioning into a denser neighborhood, the 92 Harrison Street House is the only example of the temple form design on the street.

48, 52, AND 54 QUINN STREET

Philip Wolff;
1894|

Also constructed by Philip Wolff, these three Colonial Revival houses form a lovely bookend to Harrison Street. The two-story brick houses each have three bays, with two situated on projecting sections that are capped with white triangular pediments. Unfortunately, the pediment on number 54 has been removed. Number 52 has retained some of the decorative cresting along its roofline. The houses feature stone bandcourses, brick window lintels with keystones, square windows on the ground level and arched windows on the second-story level. While the entry porch has been removed, number 48 has retained its stained glass transom.

83 AND 85 HARRISON STREET

ca. 1877|

Built for Samuel and Isabella Cassidy, owners of a dry goods store on Bay Street, these houses were owned and occupied by the Cassidy family for over 60 years. The houses feature bracketed cornices, projecting bays, decorative brickwork, columned porches and stone band courses and window lintels.

71, 73, 75, HARRISON STREET

Adrian R. and Peter Post, 1868;
ca. 1885;
Adrian R. and Peter Post, ca. 1868|

For roughly 40 years, William M. Mullen, a lawyer who practiced in Staten Island and Manhattan, resided at number 73 and owned numbers 71 and 75 as rental properties. Mullen commissioned his own house, which, at three stories over a raised basement, is taller than its neighbors and features a full-height projecting bay and a gabled roof. He purchased the two rental properties in 1891. Both were built by the Post brothers and feature the brothers’ signature mansard roof, as well as dormers, projecting bay windows and columned entry porches.

77 HARRISON STREET

ca. 1883|

Built for newsdealer Sarah Wood, this house has retained its original details, including a decorative railing on the porch and staircase and a Gothic arched window at the attic story. The house features a gable roof and a bay window with decorative wood work.

87-89 AND 93-95 HARRISON STREET

Philip Wolff;
ca. 1883|

These brick apartment buildings are the work of Philip Wolff, a builder and mason who ran a business with his son, Charles L. Wolff. The company is understood to have laid many of the sidewalks in Stapleton. They also constructed many houses in the area, including 48, 52 and 54 Quinn Street and 80 Harrison Street. Number 87-89 has two central projecting bays with steep gable roofs and groups of three windows on each level. The window groupings on the ground level have bracketed wood overhangs and stone quoin surrounds. These projecting bays are flanked on either side by wings containing arched entryways with columned porches. The entire building is capped with a mansard roof and a bracketed cornice. Number 93-95 features a prominent onion-shaped corner turret with an arched dormer. The mansard roof also has four dormers of different sizes and a wide chimney with decorative brickwork. The lower stories have stone bandcourses, window lintels and sashes, as well as arched brickwork entrances with keystones and double doors with glass transoms.

79 AND 81 HARRISON STREET

ca. 1877|

Built for Samuel and Mary Ann Anderson as rental properties, these two houses are twins which share a party wall. They feature a very steep mansard roof along the entire second story with long rectangular dormer windows that dominate the façades. Between the first and second stories are bracketed cornices. Both houses are fortunate to have retained their fanciful door hoods.

59, 63 AND 67 HARRISON STREET

Adrian R. and Peter Post, ca. 1870;
William R. Eddy, ca. 1868;
Adrian R. and Peter Post, ca. 1869|

Carpenter-builders Adrian R. and Peter Post were responsible for several houses on Harrison Street, including numbers 59 and 67. They also constructed numbers 44 (their own residence), 58, 71 and 75. Number 59, constructed as a rental property, features a mansard roof, dormers and a columned entry porch. Number 67, a speculative project, features a mansard roof and a projecting full height bay topped with a tall, narrow, polygonal turret. The windows in the turret have their original stained glass. Number 63 was built by William R. Eddy, who sold it to a veterinary surgeon named William Rose in 1872. Like its neighbor at number 59, it has a mansard roof, dormers and a columned entry porch, as well as a projecting bay window at the ground level.

53 HARRISON STREET

Charles Schmeiser;
1880|

Designed in the Second Empire style for Henry Warth, this house has a steeply pitched slate mansard roof and polychrome striped brickwork. Note the terra-cotta medallion on the building’s west façade. This is the only house on the street with a registered architect. In addition to that distinction, this graceful house stands out for its height (three stories plus a basement level) and that there are no houses abutting it on either side, lending a stately air to its presence on the street. Owner Henry Warth was the brewmaster of the local Rubsam & Horhmann Brewery in Stapleton. His father, Albin Warth, was an inventor who held over 150 patents.

45 HARRISON STREET

James P. Eddy;
1875|

This house was built by James P. Eddy, whose brother William and father Cornelius also owned houses on the street at number 74 and 36, respectively. Together, the three men owned and operated a lumber yard on Bay Street in Stapleton. Like the houses of his relatives, James’s house features a mansard roof, dormers, a bracketed cornice and a prominent full height projecting bay along its three stories. Its design is very similar to number 74 across the street. The entry porch features an overhang with bracket supports and paired columns. While some of the houses along Harrison Street have undergone renovations, the house next door at number 49 is the youngest on the street, built in 1940.

35, 37 AND 41 HARRISON STREET

Winslow Robinson;
ca. 1875-76|

These three houses share the same general massing and roof gable outline. It is known that numbers 37 and 41 were built by carpenter-builder Winslow Robinson, so it can be surmised that he was most likely responsible for number 35 as well. Number 35 was built for druggist Benjamin T. Jacobs and numbers 37 and 41 were built for real estate and insurance broker William Robinson. A small annex now connects numbers 35 and 37.

MT. SINAI UNITED CHRISTIAN CHURCH- STAPLETON CAMPUS

2 Tompkins Street;
1894|

Originally the First Presbyterian Church, this Dutch Colonial Revival building features dark masonry with arched window openings surrounded by quoins, a square crenellated tower and large stepped gables. The Brownell Street gable includes a small rose window. The building is gracefully situated on a corner lot surrounded by lawns and an iron fence.